The lower the threshold, and the higher the input volume, the less and less dynamic everything will be, from the loudest peaks to the softest moments, it essentially will maximize everything to whatever you set it to. Then if you increase the input, you effectively add "makeup gain" which increases the overall volume of your track. However if you had that threshold lower, it will start to kick in more. then most likely you're not going to hear any extreme limiting or volume increase.
Say something like -0.2db true peak is your ceiling, and then you set a threshold of -2db, but you leave input settings alone, and use a medium fast attack/ medium release setting.
It's entirely possible to have a limiter on your chain merely for safety to prevent clipping – with super subtle settings. The Assistant View features a tonal balance curve so you can identify and fix balance issues.It depends on your settings too. Match reference tracks and genre targets across tone, dynamics and width. Ozone’s Master Assistant kicks things off right by suggesting a starting point that can easily be customized. The new Recover Sides feature maintains stereo information in mono so you can preserve depth and power when narrowing problem frequencies like a wide bass. Bring your track forward using the soft clipper to amplify the Maximizer’s IRC algorithms used on countless hit records. Four sliders work across different frequency bands to breathe life into your mix, adding punch and dynamic space, or gluing your track together for a thicker sound.īoost loudness while maintaining high fidelity audio with the new Magnify Soft Clip. Dynamically shape your mix into a clear, natural tone, or tame problem resonance, carve away harshness, and smooth transients for better translation across listening environments.Įnhance the rhythm and feel of your tracks by intuitively controlling microdynamics with the new Impact Module. Sculpt a balanced sound with the new Stabilizer Module, an intelligent and adaptive mastering EQ.
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